preserved on
coloured slips,
identities crumple
as fragile
memories fade.
yet the parchment
renders
its tendering of ghosts.
for Muhanad Shawki
(entreating his genie "i want to get out
of the hospital")
and Faiza Amir
(in a final portrait by her brother),
shorn of
ragged flesh
and unrequited dreams
have taken their
required, expiring places
in the chorus of
unsung multitudes
that burdens
the bitter wind
where cumulus echoes
of the briefest
of sojourns
surfing fraught waves
of arrogant indifference,
coalesce in
swelling knells
of a contra crescendo,
convening
a collateral choir;
delving the dissonance
of discarded
discordance
from the unseen victims
of America's
abhorrence
for other people's children.
*
the Iraqi section alone
boasts
half a million
falsetto voce
silences
sanctioned by
sanctimonious glee.
a worthy
shoring up
of those
numbing,
numberless legions
the previous
administration
decided to
stop counting.
for shaded
and graded
unexceptional folk,
clearly unintended
for voting booths,
have all been
redistricted
by protection racket dockets,
broken headlights
and itty-bitty rockets,
and regime-change's
jingling,
misappropriated pockets
to eternal
global
battlefields,
custom-fitted
for evisceration
in Hollywood's
patriotic arias
of popcorn pimping
pyro-technique
where Luke and Leia's
film-at-eleven
laser lynchings,
freedom fireworks,
and flimflam glam
are eked out
by the silencers'
boundless rounds
of derivative
racist recitative
in aid
of skulking raids
haunting
the nightingale's
woebegone night,
riddled as it is
by curious beams,
bed-wetting tykes
and their
terrified screams,
and special forced heroics
from the tricked out
baggage
of civilizing themes;
all part and parcel
of our
all consuming,
profit blooming,
humanity entombing
hell on earth arsenal
with which we level
the bridled
margins
of right-sidled
history.
*
in a surreal twist
to the relentless
plaguing
of Babylon's
hounded for centuries
progeny,
stretching the
industrial,
iron clad
scope creep
of proportionless
pride
in the progress
of pilgrims
in a pirate's parade
and Christendom's
reflectionless
crimson crusade
comes the gift that
keeps on giving,
the especial reward
for effective independence,
left by an
unprecedented,
preternatural pounding
snuffing out
whole neighborhoods'
courageous resistance,
flattening
the unfolding
city of Fallujah
where depleted uranium
and white phosphorus
have raised infant mortality,
cancer,
leukemia,
and birth defects
to rates far exceeding
anything ever seen,
even in the fallout
from that other
exotic Asian
littlest angel
recruitment scheme
radiating from
the good old days
of glory's gory yore
that turned out
hundreds of thousands of lights
in Hiroshima and Nagasaki,
drowning our
collective
unconscious karma
in the self-extolling,
binary-poling,
dearth of the
desert-doling,
myopic and priapic
god of destruction's,
insurmountable
and unapproachable,
unmentionable
and unquenchable,
unimpeachable
and unbeseechable,
undented,
unrepented,
and barely even vented,
utterly irredeemable debt.
* ***** * ******* * ******* * ***** *
- Evan Hawthorn, the 26th of March, 2018
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